Rigging grip Charley Gilleran. He has dedicated his legal career to helping families achieve the peace and calm that comes with planning well, finishing the race strong, and leaving a lasting legacy built on family harmony. Key grip Mitchell Andrew Lillian. Key grip Attila Szûcs. Dialect coach Judy Dickerson. “A lot of people thought that main cellblock was an actual location shot with almost available light,” says Deakins’ longtime gaffer, Bill O’Leary. “Other cinematographers have said that and we were very surprised.” second assistant camera (as Bill Nielsen Jr.) Hope A. Nielsen. Larry Pausback. With a worldwide network of sales, rental and postproduction facilities, ARRI meets the uncompromising needs of … The goal was to simulate sunlight coming through a skylight. Rigging gaffer Patrick Bramucci. Unit publicist Julie Kuehndorf. video assist operator. gaffer. Rigging gaffer Antal Berger. Gaffer Bill O'Leary. Bill O’Leary | Gaffer “I’ve got to say the the Sourcemaker Blanket Lights have been a blessing to have in my lighting toolbox. View the profiles of people named Bill O'Leary. Gaffer Krisztián Paluch. A large part of the show’s production crew had recently completed work on Martin Scorsese’s The Irishman, including key grip Tommy Prate and gaffer Bill O’Leary, who were welcome support to the cinematographer. … They also used eight 10K Fresnels with custom barn door extensions to specifically light the water, which created the beautiful reflected patterns on the walls. rigging electrician. Steadicam operator … lighting stand-in. His team of 20 crew members assembled massive ring lights on multiple locations: I had nine weeks of prep time for a shooting schedule of around 90 days. Practical fixtures were worked into the design to facilitate the lighting. According to the gaffer, Bill O’Leary, they installed an “elaborate” dimmer to control the lights going in and out. Join Facebook to connect with Bill O'Leary and others you may know. Harry Zimmerman. Gaffer Bill O'Leary. Second unit director of photography Pierre Gill. Script supervisor Eva Z. Cabrera. rigging grip (as Charley Quinlivin) Judy Scarboro. Bill O'Leary. In an interview with ARRI, gaffer Bill O’Leary talked about the naturalistic look of Blade Runner 2049. second assistant camera: second unit. first assistant camera: "b" camera. Property master Tommy Allen. video assistant. chief lighting technician: New York (as William O'Leary) Heather Page. Location manager Lyn Pinezich. Jon Stinehour. Charles Quinlivan. Best boy electric Joseph Grimaldi. ... gaffer: second unit. Brad Peterman. underwater first assistant camera. Music editor Jim Henrikson. Gaffer Bill O’Leary describes the lighting approach on "Blade Runner 2049," which was supplied with a full camera, grip, and lighting package by ARRI Rental. film loader (as Hope Nielsen) Bill O'Leary. electric rigger. Van Scarboro. Bill O’Leary is passionate about making the planning process easy, comfortable, and understandable. Joseph Short. Still photographer Eli Reed. Oct 11, 2017 - The ARRI Group is the world's largest manufacturer and distributor of motion picture cameras, digital intermediate systems and lighting equipment. They are an essential part of almost every job I … Eric Amundsen.